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The Christmas Project by Mai Phuong Duong

Captured during the New Year countdown at Marina Bay, Singapore, this image immortalizes the ethereal glow of the Wishing Spheres floating upon the water. These illuminated orbs served as a collective vessel for the hopes and dreams of thousands, marking a poignant transition into a new year. The photographer expertly balanced the high-ISO requirements of the night environment with a precise aperture to capture the shimmering reflections and the festive atmosphere. This photograph is award-worthy for its ability to transform a public celebration into a deeply personal, meditative moment of unity and anticipation.

The Christmas Project by Mai Phuong Duong
Exposure 1/100sec @ f/4 | ISO 3200
Light & Composition Photo of the Day

Mai Phuong Duong

REGISTERED PHOTOGRAPHER

Based in Singapore, Mai Phuong Duong is a dedicated photographer who balances her creative pursuits alongside her professional career. Alongside her husband and creative partner, Minh Nghia Le, she has cultivated a long-standing passion for documenting the world through a unique lens. Her work reflects a sincere desire to share personal perspectives and visual stories with an international audience, inviting viewers to experience the beauty and emotion she discovers in everyday life.

Current Location Singapore
13.7/20
RESONANCE
SCORE
337/500
SHARE
SUBMISSION
Award Reach | Reviews
19,594 views | 5 Reviews
Award Winner Photo of the Day
Award Date January 7, 2011
Value 12.0
Clarity 12.0
Composition 15.0
Style 13.0
Skill 12.0
Photograph Location
📍 Marina Bay › Singapore

AWARD SEGMENT | TAGS

Resonance Score Breakdown

Transparency in Award Scoring

Transparency Note: The resonance score (13.4/20) is calculated based on social engagement metrics collected before the award announcement.

Social Shares
5.0/5 points
2,092/1,000 Social Share
Page Views
5.0/5 points
19,594/2,500 Page View
Reviews
0.0/5 points
0/100 Review
Submissions
3.4/5 points
337/500 Submission
Jury Score: 64.0/80
Resonance Score: 13.4/20
Total Award Score: 77.4/100

Expert Photography Reviews · 5

Reflections on this Photograph
By Clara Menezes

Vessels of the Unspoken

We are all architects of small, buoyant things, casting our secret intentions into the dark. There is a quiet bravery in the act of letting go—placing a wish upon the surface of the deep, trusting the current to carry what we are too afraid to say aloud.

Read the reflection →
By Sven Lindqvist

Vessels of the Unspoken

We cast our wishes into the water as if the depth could hold what we are too afraid to say aloud. It is a strange habit, this need to externalize the internal, to watch a small light drift away from the shore until it becomes indistinguishable from the stars.

Read the reflection →

Reviews & Comments

Share your thoughts about this award-winning photograph. Your reviews contribute to the community engagement score.

5 responses to “The Christmas Project by Mai Phuong Duong”

  1. The air at Marina Bay must have been heavy with humidity and collective longing that night. She stood there, waiting for the spheres to find their rhythm on the dark water. It’s not just a celebration; it’s a quiet prayer held in light. I’ve felt that same stillness when the world finally stops rushing. Looking at these glowing orbs, I find myself holding my breath, hoping those thousands of silent wishes actually found their way home.

  2. The chromatic vibration here recalls the muted, dusty ochres of a Morandi still life, yet it’s pierced by the electric, synthetic cyan of Marina Bay’s nocturnal tide. I’m genuinely moved by how these glowing orbs bleed into the black water, creating a bruised, velvet indigo that feels almost tactile. It’s a melancholic, shimmering alchemy of light; one finds oneself lost in the way the warmth of the spheres quarrels with the cold, indifferent Singaporean night.

  3. The frame doesn’t hold. The scattered orbs lack a coherent anchor, drifting into a chaotic sprawl that undermines the picture plane. While the shimmering reflections offer a fleeting tonality, the spatial tension is absent. It’s a visual drift, not a structure. I’ve grown weary of such aimless luminescence. Without a fulcrum to ground the composition, the eye is refused a destination. It’s technically competent, yet it fails to command the necessary formal discipline.

  4. Marina Bay at midnight is a chaotic, humid endurance test. Most would have snapped a quick frame and retreated to the nearest air-conditioned bar. Instead, Duong lingered, balancing that ISO 3200 grain against the bobbing spheres. It’s a quiet, disciplined bit of work. I’ve spent enough nights shivering in the dark to appreciate the stillness she’s wrestled from such a frantic crowd. She didn’t just find this moment; she clearly earned it. A decent effort.

  5. Most night photography at Marina Bay is just neon noise, but here, the deliberate choice to let the ISO 3200 grain soften the edges of those floating spheres transforms a chaotic countdown into a quiet, singular prayer. It’s the restraint that wins me over. I’ve seen thousands of these celebrations, yet this one feels intimate, like a secret kept between the water and the sky. It’s a rare, honest pause in a world that’s usually screaming.

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