Happiness by Kafi Rashid
Captured during a vibrant village fair in Dhaka, this photograph documents a moment of raw, unbridled emotion on a traditional wooden merry-go-round. The photographer observed children and their parents caught between screams of excitement and fear, ultimately finding a universal expression of pure happiness. By focusing on the candid reactions of the riders, the image transcends the simple mechanics of the fairground to highlight the genuine joy found in local traditions. Its award-worthy quality lies in the photographer's ability to freeze a fleeting, chaotic moment of human connection with clarity and emotional depth.
Exposure 1/250sec @ f/8 | ISO 100 | Focal Length 20mm
Jos Treen
Born in Malta , now living in Manchester. Photographer, film and digital. A passion for Black & White from late 1970's Glasgow to 2020 Manchester - 40 years walking the streets with a camera. Has two projects for the start of a new decade . To record people at work, rest and play in Sale, Cheshire and secondly to provide a fresh perspective on the Llyn peninsula in North Wales..... frame with freedom and responsibility. Current Location Manchester , UK Facebook https://www.facebook.com/jos.treen Instagram https://www.instagram.com/jostreen/ Website https://www.jostreenphotography.com Best Achievements & Exhibitions None Award Winner Photo of the Day Camera Canon 5D Mark III & Fuji X100F Lenses and Gears Olympus OM-1 and Contax 167mt
Resonance Score Breakdown
Transparency Note: The resonance score (12.5/20) is calculated based on social engagement metrics collected before the award announcement.
Expert Photography Reviews · 3
The Weight of a Laugh
I was walking past the park this morning when I heard a sound that made me stop dead in my tracks. It was a high-pitched, messy, uncontrollable shriek of laughter coming from a toddler on a swing.
Read the reflection →The Weight of Gravity
I remember the creak of the old iron swing set in my grandmother’s garden, the way the metal groaned under the sudden, frantic energy of a summer afternoon. There is a specific, dizzying kind of surrender that happens when you let go of the ground.
Read the reflection →Reviews & Comments
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It’s easy to snap a merry-go-round; it’s quite another to capture the precise, terrifying exhilaration of a child mid-swing. Rashid clearly didn’t just wander by. One suspects they spent hours in that dust, waiting for the light to hit those faces just so. I’ve spent enough time in similar crowds to know the patience required to avoid a cluttered mess. It’s a rare, honest bit of joy. I’d have liked to have been there myself.
Most entries from the Nurullahpur Mela this year were just colorful noise. What separates this from that pile is the specific geometry of the children’s grip on the wooden frame. It’s not just a ride; it’s a desperate, joyful anchor. I find myself wanting to reach out and steady them. It’s that raw tension between fear and delight that makes this endure. In thirty years, we won’t care about the fair, but we’ll remember this feeling.
The frame collapses under the weight of its own chaos. While the merry-go-round’s circular geometry suggests a potential fulcrum, the subjects drift into a visual blur that lacks necessary anchor points. It’s messy, frankly. The 20mm focal length stretches the periphery, distorting the spatial tension until the composition loses its grip. I’ve seen enough frantic movement to know that without a disciplined architecture, the eye is simply refused a place to rest. It doesn’t hold.
Was it a sunny day, why did you use f/8?
Well, I’m a newbie and I didn’t know how these things work.
Have you ever tried this marry go round?
Yep B|
Really scary, how can it carry so much weight?
I like it. Plain and simple.
Thanks :)
Yes, really simple composition.
Simple composition, but powerful.
Thank you!