Gabicce Mare by Mauro Squiz Daviddi

Captured during the golden hour at Gabicce Mare, this photograph showcases the breathtaking interplay of light and color as the sun dips below the horizon. The photographer, ever prepared with a camera in hand, was struck by the exceptional hues painting the sea, seizing the fleeting moment to document the natural spectacle. This image stands out for its evocative use of color and the photographer's keen ability to recognize and frame a transient, beautiful scene, demonstrating a profound appreciation for the ephemeral nature of coastal light.

Gabicce Mare by Mauro Squiz Daviddi
Copyright Β© Mauro Squiz Daviddi
Light & Composition Photo of the Day

Mauro Squiz Daviddi

REGISTERED PHOTOGRAPHER

Born in Bologna in 1966, Mauro Squiz Daviddi began his photographic journey in 1976 using his father's Vitoret VoigtlΓ€nder. After earning a Master of Art degree from the Art Institute of Bologna in 1986, he dedicated his career to the craft, eventually exhibiting his work across numerous European countries. Currently based in Ozzano dell’Emilia, he continues to pursue his lifelong passion for photography, documenting the world with a refined artistic perspective.

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11.8/20
RESONANCE
SCORE
174/500
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Award Reach | Reviews
8,155 views | 6 Reviews
Award Winner Photo of the Day
Award Date December 8, 2020
69.0
AWARD SCORE
Value 12.0
Clarity 13.0
Composition 18.0
Style 13.0
Skill 13.0
Photograph Location
Gabicce Mare, Italy

AWARD SEGMENT | TAGS

Artistic Photography
Mauro Squiz Daviddi Photography

Resonance Score Breakdown

Transparency in Award Scoring

Transparency Note: The resonance score (11.8/20) is calculated based on social engagement metrics collected before the award announcement.

Social Shares
4.8/5 points
966/1,000 Social Share
Page Views
5.0/5 points
8,155/2,500 Page View
Reviews
0.3/5 points
6/100 Review
Submissions
1.7/5 points
174/500 Submission
Jury Score: 69.0/80
Resonance Score: 11.8/20
Total Award Score: 80.8/100

Expert Photography Reviews · 6

Priya Sharma Negative Space, Minimalism & the Japanese Aesthetic Expert Review
The horizon line cuts the frame. It’s a clean break. Above, the sky fades into a bruised violet. Below, the Adriatic holds the weight of the light. I’ve spent minutes looking at the dark water. It’s quiet. Nothing here is accidental. The empty corner is not empty. It’s a breath held in the chest. I feel a sudden, sharp ache for the stillness of that coast. It’s enough. It’s everything.
Victoria Ashby Wildlife, Nature & the Ethics of the Unseen Moment Expert Review
Golden hour at Gabicce Mare is undeniably pretty, but it’s a hollow victory. Where is the life? I’ve spent weeks in coastal blinds waiting for a single gull to land, and there’s no trace of that discipline here. It’s just a landscape, devoid of the wild pulse that makes nature photography matter. I find myself frustrated by the lack of intent. It’s a postcard, not a record of a relationship with the natural world.
Kofi Asante Intimate Portraiture, Reportage & Lives Told Truthfully Expert Review
The golden hour at Gabicce Mare is undeniably pretty, but it’s a landscape, not a portrait. I’m searching for a pulse here, a human connection, yet there’s nobody to meet my gaze. It’s a lovely scene, sure, but it feels lonely in a way that leaves me cold. I’ve spent my life looking for the person behind the lens; here, I just see the light. It’s a beautiful view, but it doesn’t tell me a thing.
Rafael Ortega Shutter Technique, Motion & the Cinematic Single Frame Expert Review
The light hits the Adriatic like a final take before the sun kills the scene. It’s a breathless, saturated frame that refuses to cut away. I’ve spent hours watching waves, but Daviddi caught the exact second the tide turned into liquid gold. The composition holds its tension perfectly; it’s the shot an editor keeps because the rhythm is flawless. Honestly, it makes me want to pack my gear and drive south tonight. It’s pure, cinematic stillness.
Amara Diallo Portrait, Human Story & Narrative Portraiture Expert Review
We look at the horizon of Gabicce Mare and we don’t just see a sunset; we feel the silence of a long-awaited conversation. The light doesn't just fall; it listens to the tide. I’ve spent my life studying faces, yet here, the sea itself becomes the subject, revealing a vulnerability I rarely find in people. It’s a quiet, aching beauty that makes me want to sit by that water and simply breathe. It’s truly haunting.
Thomas Hargreaves Earned Photographs, Craft Discipline & the Long Wait Expert Review
The curator claims the photographer was just walking by with a camera. It shows. The light is pleasant enough, but it lacks the grit of a scene wrestled into submission. One suspects he arrived, clicked, and left before the tide turned. I’ve spent enough freezing nights on the coast to know when a frame hasn't been earned. It’s pretty, certainly, but it’s a tourist’s souvenir, not a landscape photographer’s hard-won prize. Needs more commitment.
Reflections on this Photograph
By Marta Vidal

The Weight of Fading Light

I keep a small, smooth stone in my desk drawer, pulled from a shoreline I visited when I was still young enough to believe that summer could last forever.

Read the reflection →
By Dominic Aurelius

The Weight of the Passing

Seneca once reminded his friend that we are all merely passing through, like travelers who stop at an inn and then move on. He argued that we spend our lives preparing to live, rather than living, distracted by the pursuit of things that do not belong to us.

Read the reflection →

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