Caramel-chocolate Pastry by Ola Cedell
This exquisite food photograph captures the delicate allure of a caramel-chocolate pastry, a staple of the traditional Swedish fika. The photographer meticulously utilized studio flash, positioning the main light from above and behind to accentuate the glossy, rounded contours of the chocolate dome. By carefully balancing fill-flash from the right, the image reveals the rich textures of the brownie base and the decadent caramel center. This shot is award-worthy for its technical precision in lighting, which transforms a simple dessert into a sophisticated, mouth-watering subject that highlights the harmonious blend of chocolate, caramel, and hazelnut liqueur.
Rodrigo Aliaga
Born in La Paz, Bolivia Rodrigo Tato Aliaga decided to work with the image. He works as a director of photography filming and using real film, not digital, and directing tv advertisements. Improving all his skills and capacity he decided to do photograph digitally and founds in food photography the best possibility of mixing creativity and technique to achieve exquisite photographs, in all senses. Current Location La Paz, Bolivia Flickr https://www.flickr.com/photos/rodrigotatoaliaga/ Instagram https://instagram.com/rodrigotatoaliaga/ Best Achievements & Exhibitions He was selected to publish a photograph as cover page in DXT Magazine No 105. He publishes 2 photos in the book "1001 foods you must try before you die" Award Winner Photo of the Day Camera Canon 5D Mk II Lenses and Gears Canon 50 mm f/1.8, Canon 24-105mm Sachtler ACE tripod
Resonance Score Breakdown
Transparency Note: The resonance score (11.6/20) is calculated based on social engagement metrics collected before the award announcement.
Expert Photography Reviews · 6
The Architecture of Sweetness
We often speak of time as a river, a relentless forward motion that carries us toward some inevitable sea. Yet, there are moments when time seems to pool, gathering in the quiet corners of an afternoon like water in a hollow stone.
Read the reflection →The Sweetness of Slowing
There is a quiet grace in the act of stopping. We move through our days with such haste that we often forget the texture of the present moment, treating our nourishment as merely a task to be completed.
Read the reflection →Reviews & Comments
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f/8 at 100mm, ISO 100. A clinical choice. The depth of field is razor-thin, isolating the caramel dome with surgical accuracy. It’s a calculated risk that pays off. The backlighting catches the glaze perfectly, revealing a texture that’s almost tactile. I’ve seen enough food shots to know when someone’s just playing with light, but this? It’s precise. It’s honest. I’m actually hungry, which is a rare, irritating distraction from the technical execution. Solid work.
Glossy, backlit, and surgically lit, this pastry feels less like a fika staple and more like a luxury commodity. Why does the lighting strip away the messy, lived-in reality of a Swedish kitchen? It’s technically perfect, yet I feel a strange coldness looking at it. Does this hyper-curated aesthetic erase the labor behind the craft? We’ve turned a simple treat into an object of desire, but whose hunger are we actually feeding here? It’s hollow.
We look at this pastry and we don’t just see a dessert; we see a quiet invitation to a Swedish afternoon. Ola Cedell has listened to the caramel’s curve, catching the light like a secret shared between friends. It’s a portrait of comfort, really. I find myself wanting to pull up a chair and linger. It’s a photograph that asks to be returned to, reminding us that even the smallest things have a story to tell.
Most food photography is disposable, destined for a menu and then oblivion. Of the thousands I’ve reviewed, this one lingers because of that precise backlighting. It turns a simple pastry into a glowing, architectural object. I’d honestly eat this right off the screen. It’s the restraint in the shadows that saves it from being mere commercial fluff. It’s a study in light that makes a fleeting Swedish fika feel like a permanent, essential human ritual.
The lighting here echoes the precise, sculptural control of Edward Weston’s peppers, though applied to the ephemeral indulgence of a Swedish fika. It’s technically impeccable, yet I’m left craving a subversion of the genre’s glossy perfection. We’ve seen this clinical precision since the early days of commercial studio work. I’d love to see Cedell break the mold; honestly, my heart skips a beat when I see a photographer finally challenge the medium’s rigid, polished expectations.
You’ve lit this pastry like a diamond, and it’s technically flawless. I can see the precision in that caramel sheen. But I’m looking for the person behind the fika. Where’s the warmth of the kitchen or the messy joy of eating it? It’s beautiful, sure, but it feels a bit cold. I’d trade some of that perfect studio polish for a crumb out of place or a hint of a human hand.