Raspberry & Blueberry Macarons by Leanne LindsayRaspberry & Blueberry Macarons by Leanne Lindsay
Sydney can be a city of sunshine and sparkling beaches, but sometimes the weather throws you a curveball. One recent afternoon, a downpour turned the streets into glistening rivers. Instead of letting the gloomy weather dampen my spirits, I decided to embrace the cozy vibes and turn it into a baking and photography adventure. As a self-proclaimed dessert enthusiast, there's one treat that always sparks my creativity: the French macaron. These delicate pastries, with their vibrant colors and perfectly smooth shells, are not just delicious, they're a photographer's dream. So, with a tray of freshly baked macarons in hand, I set up my camera for a flat-lay food photography session. The beauty of flat-lay photography lies in its ability to transform everyday objects into miniature works of art. I experimented with different backgrounds – a crisp white tablecloth, a rustic wooden board, even a vintage cookbook page – to see how each one complemented the colorful macarons. The afternoon flew by in a flurry of creative exploration. I played with natural light filtering through the window. I scattered a few plump blueberries and a couple of strawberries around the macarons for a hint of natural texture. It was pure bliss, combining my love of baking with the satisfaction of capturing the perfect shot.

A Day in The Village by Elena Zakharova
In the golden light of a village morning, my daughter and son outside a rustic farmhouse. She, in a floral dress, enjoys a piece of fresh bread, while he sips cool milk from the farm. Behind them, lush greenery and simple farm structures complete the peaceful scene, capturing the warmth and simplicity of rural life and their sibling bond.

Herbalist by Bartłomiej Śnierzyński
Poisonous Plants. The book A Guide to Identifying Native Poisonous and Harmful Plants by Jakub Mowszowicz became the inspiration for this session. How is it that over the years, poisons have become a favored tool in the hands of women? The session was shot in the summer, in the meadow behind our house and the forest. I captured it with an analog Pentax 6x7 camera and Kodak Portra 160 film.
