Duden’s White Angles by Zahraa Al Hassani
Captured at the scenic Duden Waterfalls in Antalya, this photograph highlights a serene moment where local ducks glide across the water near a popular dining spot. The photographer expertly utilized a 122mm focal length to isolate the subjects against the tranquil lake, capturing the interaction between the wildlife and the visitors who frequent the area. The image is award-worthy for its clean composition and the delicate balance of natural light, which beautifully emphasizes the soft textures of the water and the ducks, turning a common tourist scene into a refined wildlife study.
Exposure 1/600sec @ f/5 | ISO 100 | Focal Length 122mm
Avishek Das
Avishek Das is an Indian born photographer. Over the past 4 years he has been associated with this field of photography. He is one of the active members of Indian Visual Arts Foundation & Photo Journalist at Creative Studio. His photographs and writings have already been published in different websites in national level. He has taken his photography training from Sayan Sarkar (FFIP , AFIAP), who is one of the eminent photographers of India. Avishek’s area of attraction are on Street, Nature, and Creative Photography, however recently he has also been focusing on Monochrome photography based on Indian Visual Arts & Culture. Born in 1986 at Baruipur, a small town near Kolkata, India, Avishek completed his post-graduation in human resource after completing his B. Tech. B
Resonance Score Breakdown
Transparency Note: The resonance score (14.0/20) is calculated based on social engagement metrics collected before the award announcement.
Expert Photography Reviews · 3
The Weight of Stillness
Can a creature ever truly know the boundary between itself and the world it drifts upon? We spend our lives building walls, defining where our skin ends and the air begins, yet there are moments when the surface of things seems to dissolve entirely.
Read the reflection →The Quiet Between the Roar
I remember sitting by the edge of the river in Ljubljana, watching a pair of swans navigate the current. A group of tourists was nearby, shouting over the rush of the water, dropping crumbs of bread that the birds ignored with practiced indifference.
Read the reflection →Reviews & Comments
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1/600sec at f/5, 122mm. A shutter speed that freezes motion but an aperture that lacks the separation required for a wildlife study. At f/5, the background remains too present, cluttering the frame with tourist noise. It’s technically lazy. I’ve spent years watching photographers blame their glass, but here, the settings simply didn’t commit. It’s frustrating. You had the light, but you didn’t isolate the subject. The math just doesn’t add up to a refined result.
The shutter speed caught the water’s skin just right. It’s a tight, cinematic crop that isolates the ducks, turning a tourist trap into a quiet, rhythmic sequence. I’ve watched enough rushes to know when a frame breathes, and this one does. The 122mm lens creates a shallow depth that keeps the chaos of the dining spot at bay. It’s a clean cut. Honestly, I’d love to see this move; it’s a beautiful, frozen beat.
Duden’s ducks drift through a light that refuses to deepen. It’s a polite, shallow brightness, lacking the necessary gravity to anchor these creatures in anything beyond mere surface. I’ve spent hours staring at these ripples, waiting for a shadow to emerge, to offer some existential weight, but it’s just too clean. It doesn’t haunt me. Without the dark, the water remains a tourist’s mirror, and I’m left feeling profoundly, achingly bored by the clarity.