Sanjoy Sengupta

An O&G surface facility designer by profession who loves to travel all around the world and capture memories and moments of life to cherish forever, meet Sanjoy Sengupta from Muscat, Oman. Starting from a hotshot point and shoot camera in late 80s to a Nikon FM10 film camera in late 90s, when he used to get most of the exposures wrong, Sanjoy slowly moved to the day of digital cameras like canon Powershot A520 and Canon hybrid SX20IS in early 2000. Then he finally could not resist the alluring pricy Nikon DSLR, and realised that his actual learning started from that very moment.
Sanjoy Sengupta

Sanjoy Sengupta

Camera Gear: Nikon D700 and D7000
Lenses: Nikon FF 14-24/f2.8, 24-70/f2.8, 50/f1.8G, 105/f2.8 macro, 70-200/f2.8, DX18-105,
Tripod: Manfrotto 55CXPROB, Benro Ball head B4, Speedlite: NIkon SB910, SB700
Current Location: Muscat, Oman
Pixoto: www.pixoto.com/sanjoysengupta
Flickr: www.flickr.com/sanjoysengupta
500px: www.500px.com/sanjoysengupta
Best Achievements & Exhibitions:
1st Place | Photo of the Month | 50th Month
2nd Place | Photo of the Month | 52nd Month
2nd Place | Photo of the Month | 53rd Month
Light & Composition Top 25 Photographers


Some of Sanjoy Sengupta’s Most Popular Award Achievements

Sunrise at Boulder Beach, by Sanjoy Sengupta

Sunrise at Boulder Beach, by Sanjoy Sengupta

Boulder beach of Basco, Batanes is a small island in the north east of Philipines. It was formed from the lava of Mount Yarayu. Here the sunrise is a special ev...
A Road to Nowhere, by Sanjoy Sengupta

A Road to Nowhere, by Sanjoy Sengupta

The Rolling hills in Basco, Batanes, Philipines is named after the texture of Marlboro hills. The long trek during sunset was worth every breath to reach the to...

The Place of Worship, by Sanjoy Sengupta
Descending Dragon Bay, by Sanjoy Sengupta
The Basco Lighthouse, by Sanjoy Sengupta
Life by the Lake, by Sanjoy Sengupta
Tomb of Hatshetput, by Sanjoy Sengupta
Mother's Care, by Sanjoy Sengupta
Road to Eternity, by Sanjoy Sengupta
Bullfight, by Sanjoy Sengupta
Bridge at the Twilight Hours, by Sanjoy Sengupta
Nature Naturally, by Sanjoy Sengupta
The Cable Bridge, by Sanjoy Sengupta
Colorful Tips, by Sanjoy Sengupta
Ferris Wheel, by Sanjoy Sengupta
Muttrah Corniche at Blue Hour, by Sanjoy Sengupta
Alone, by Sanjoy Sengupta
Reflection, by Sanjoy Sengupta
Breakfast Time, by Sanjoy Sengupta
The Fair, by Sanjoy Sengupta
The Cyclist, by Sanjoy Sengupta
Taking Snapshot, by Sanjoy Sengupta
Lockhorns, by Sanjoy Sengupta
Tour of Oman, by Sanjoy Sengupta
Deep Thoughts, by Sanjoy Sengupta
Hide and Seek, by Sanjoy Sengupta
A Beautiful Reflection, by Sanjoy Sengupta
Mosque by Night, by Sanjoy Sengupta
Sunrise at Boulder Beach, by Sanjoy Sengupta
The Butterfly Effect, by Sanjoy Sengupta
A Road to Nowhere, by Sanjoy Sengupta
Winds of Change, by Sanjoy Sengupta
Misty Morning, by Sanjoy Sengupta
Picture Perfect, by Sanjoy Sengupta
The View of the Bay, by Sanjoy Sengupta
The Giant Leap, by Sanjoy Sengupta
Facing History, by Sanjoy Sengupta
Teamwork, by Sanjoy Sengupta
Browse all Sanjoy Sengupta’s contributions in Light & Composition

Let’s Discover More About Sanjoy Sengupta’s Photography

An Exclusive Interview with Sanjoy Sengupta

An Exclusive Interview with Sanjoy Sengupta

Starting from a hotshot point and shoot camera in late 80s to a Nikon FM10 film camera in late 90s, Sanjoy Sengupta used to get 32 out of 36 exposure wrong to a...
Third Exclusive Interview with Sanjoy Sengupta

Third Exclusive Interview with Sanjoy Sengupta

An O&G surface facility designer by profession who loves to travel all around the world and capture memories and moments of life to cherish forever, meet Sanjoy...
Second Exclusive Interview with Sanjoy Sengupta

Second Exclusive Interview with Sanjoy Sengupta

An O&G surface facility designer by profession who loves to travel all around the world and capture memories and moments of life to cherish forever, meet Sanjoy...

1 reply
  1. Umashanker
    Umashanker says:

    Cool photos from through the coolest pair of eyes on earth. Lovely, admired every pixel of the captures.

    Reply

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