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The dark shadows of people are pretty mystical. It is as if the shadow describes everything instead of the person himself. By drawing shadows, we also protect their privacy. It’s like they don’t exist, they have traces. That’s why it is possible to see such shadows in underground passages.
I keep a small, tarnished brass mortar and pestle on my kitchen shelf, its surface worn smooth by the friction of a thousand mornings. It belonged to a grandmother I only knew through the stories told in hushed tones, yet when I run my thumb along the rim, I can almost smell the sharp, earthy […]
We are in the generation of modern advancements, but we do love some classical aspects. This particular picture was taken in one of the beautiful cities while I was traveling.
At Light & Composition, we portray the real images of our civilization, connecting individuals and information.
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