Three Gazes, Korail-Bosti

The photograph presents a compelling study in contrasts, rendered in stark black and white. Three figures – a young boy, an older woman, and a young woman – occupy the foreground, their gazes directed in different directions, creating a dynamic interplay of connection and detachment. The shallow depth of field draws immediate focus to their faces, emphasizing the textures of their skin and clothing, while the background dissolves into a blurred tapestry of corrugated metal and makeshift structures. The composition is subtly asymmetrical, lending a sense of naturalism and immediacy to the scene. The lighting is soft yet directional, sculpting the forms and highlighting the subtle nuances of expression.

This intimate portrait, captured by Nasrul Eam in January 2026, offers a glimpse into the lives of residents in Korail Bosti in Dhaka, one of the largest slums in Bangladesh. The photographer’s choice of monochrome enhances the timeless quality of the image, elevating it beyond a mere documentary record to a poignant exploration of human resilience and dignity. The deliberate framing and tonal range speak to a mastery of light and shadow, characteristic of fine art portraiture, and invite contemplation on the complexities of urban life and the human condition.

Eam’s work consistently demonstrates a profound sensitivity to the emotional lives of his subjects, a quality that has defined his career and earned him recognition as a leading figure in contemporary photography. This photograph, like many of his projects, transcends the boundaries of reportage, offering instead a deeply empathetic and visually arresting meditation on the shared humanity that connects us all. It is a testament to his ability to find beauty and grace in the most challenging of circumstances, and to capture the essence of his subjects with profound depth.