Such a Calm Poser by Tareq Uddin Ahmed

Captured on a crisp December day at Falliatoli Sea Beach in Bangladesh, this portrait of a Great Tit showcases the bird in a moment of profound stillness. The photographer utilized a 400mm focal length to isolate the subject against the coastal environment, capturing its serene demeanor as it went about its business. The image is award-worthy for its exceptional clarity and the intimate connection established between the lens and the subject, highlighting the delicate textures of the bird's plumage and the quiet, contemplative atmosphere of the scene.

Canon 70D with EF100-400 f/4.5-5.6L | Exposure 1/400sec @ f/7.1 | ISO 320 | Focal Length 400mm

Light & Composition Photo of the Day

Tareq Uddin Ahmed

REGISTERED PHOTOGRAPHER

Born in Bangladesh in 1980, Tareq Uddin Ahmed is a Chittagong-based photographer who has gained significant recognition since beginning his practice in 2011. As a founding member of the Chittagong Bird Club, he specializes in avian photography, though his portfolio also encompasses macro studies of flowers and butterflies. Having already achieved local acclaim through newspaper features, Ahmed is now focused on bringing his distinct perspective on nature and wildlife to a global audience.

Profile View Full Profile

Award Winner Photo of the Day

Award Date January 12, 2014

62.0

AWARD SCORE

Value 12.0

Clarity 11.0

Composition 15.0

Style 12.0

Skill 12.0

Photograph Location

Chittagong, Bangladesh

AWARD SEGMENT | TAGS

Tareq Uddin Ahmed Photography

Wildlife Photography

Resonance Score Breakdown

Transparency in Award Scoring

Transparency Note: The resonance score (12.6/20) is calculated based on social engagement metrics collected before the award announcement.

Social Shares

5.0/5 points

1,716/1,000 Social Share

Page Views

5.0/5 points

12,535/2,500 Page View

Reviews

0.1/5 points

1/100 Review

Submissions

2.5/5 points

252/500 Submission

Jury Score: 62.0/80

Resonance Score: 12.8/20

Total Award Score: 74.8/100

Expert Photography Reviews · 5

Lena Brandstrom Macro Photography, Optics & the Science of the Seen Expert Review

At 400mm, the EF 100-400mm lens resolves the Great Tit’s plumage with startling micro-contrast. By stopping down to f/7.1, Ahmed avoids the diffraction limit while maintaining a razor-thin focal plane that isolates the bird’s eye. It’s a masterclass in optical discipline. I’m genuinely moved by the way the light renders those fine, iridescent feathers; it’s as if the glass has peeled back the veil of reality, revealing a quiet, biological precision that our eyes simply can’t hold.

Eleanor Voss Composition & Visual Structure Expert Review

The frame’s geometry is precarious. The subject’s placement at the extreme edge creates a jarring spatial tension, yet it’s precisely this imbalance that anchors the composition. The negative space doesn't merely surround the bird; it isolates the subject against the blurred coastal horizon with clinical precision. It’s a bold, risky choice. I’ve rarely seen such rigid discipline in wildlife portraiture. The plumage textures provide the necessary weight to keep the frame from collapsing entirely. It holds.

James Rokeby Camera Craft & Technical Execution Expert Review

400mm at f/7.1, 1/400sec, ISO 320. The reach is necessary, but the aperture choice is lazy. At 400mm, f/7.1 doesn't isolate the subject enough from that coastal clutter. It’s a compromise that leaves the background distracting. I’ve seen better separation from this lens. The shutter speed is barely adequate for a bird’s twitchy metabolism. It’s technically functional, but it lacks the surgical precision I crave. It’s a decent capture, but it doesn't push the hardware.

Yusuf Al-Hamdan Landscape, Light as Presence & the Spiritual Dimension Expert Review

The air at Falliatoli must have been thin and salt-heavy that December morning. Tareq waited, listening to the light as it softened against the Great Tit’s feathers. It’s a rare, quiet communion. When I look at those delicate, ruffled textures, I feel a sudden, aching stillness in my own chest. He didn't rush the bird; he simply let the landscape exist. It’s a beautiful, patient surrender to the coast, captured in that singular, holy breath.

Isabelle Fontenay Colour Harmony, Tone & Atmospheric Light Expert Review

The ochre of the bird’s breast, reminiscent of a Morandi still life, vibrates against the muted, saline grey of the Chittagong coast, creating a chromatic tension that’s utterly arresting. It’s not merely a portrait; it’s a symphony of desaturated earth tones that makes my heart ache with a sudden, quiet longing for the shore. One finds here a rare, atmospheric stillness, where the light doesn't just illuminate the plumage—it breathes through the very air itself.

Reflections on this Photograph

By Yuki Sato

The Weight of a Feather

There is a particular kind of grace in the way a small creature holds its place in the world. We often mistake movement for life, believing that to be alive is to be constantly busy, constantly reaching for the next branch or the next horizon.

Read the reflection →

By Clara Menezes

The Architecture of Stillness

We spend our lives in a frantic choreography, convinced that to be alive is to be in motion, to be the wind that bends the grass or the tide that pulls at the shore. We equate stillness with absence, a hollow space waiting to be filled by the next demand.

Read the reflection →

Reviews & Comments

Share your thoughts about this award-winning photograph. Your reviews contribute to the community engagement score.

6 replies

Saniar Rahman Rahul says:
January 14, 2014 at 06:38

Nice photograph and congrats……….
Reply

Want to join the discussion?
Feel free to contribute!

Tareq Uddin Ahmed

AWARD SEGMENT | TAGS

Leave a Reply

Leave a Reply Cancel reply

The Future of Learning

University

Access & Records

Publications

Award Showcases

Know the Award

Registration & Submission

Career

Creative & Advertising

Theses & Projects

Getting Started

Get 24/7 Support